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	<title>Wright-Stuff Music &#187; Maqam</title>
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	<link>http://wrightstuffmusic.edublogs.org</link>
	<description>Though everything else may appear shallow and repulsive, even the smallest task in music is so absorbing, and carries us so far away from town, country, earth, and all worldly things, that it is truly a blessed gift of God. - Felix Mendelssohn</description>
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		<title>The Oud</title>
		<link>http://wrightstuffmusic.edublogs.org/2008/12/03/the-oud/</link>
		<comments>http://wrightstuffmusic.edublogs.org/2008/12/03/the-oud/#comments</comments>
		<pubDate>Wed, 03 Dec 2008 11:54:52 +0000</pubDate>
		<dc:creator>wrightstuffmusic</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Links]]></category>
		<category><![CDATA[Maqam]]></category>
		<category><![CDATA[Middle Eastern Music]]></category>
		<category><![CDATA[Oud]]></category>
		<category><![CDATA[Tawadros]]></category>
		<category><![CDATA[World Music]]></category>

		<guid isPermaLink="false">http://wrightstuffmusic.edublogs.org/?p=72</guid>
		<description><![CDATA[I recently bought an Oud from a friend I went to UNSW with, Joseph Tawadros.
I have been diligently reearching scales, modes, oud methods, rhythms etc.
I found the various Maqam and rhythms quite intriguing.
Additionally, we have the Byzantine and the Armenian (Hamparsoom        Nota) naming and notation systems.  These were [...]]]></description>
			<content:encoded><![CDATA[<p>I recently bought an Oud from a friend I went to UNSW with,<a href="http://www.josephtawadros.com/" target="_blank"> Joseph Tawadros</a>.</p>
<p>I have been diligently reearching scales, modes, oud methods, rhythms etc.</p>
<p>I found the various <a href="http://www.maqamworld.com/maqamat.html" target="_blank"><span style="font-family: Verdana,Arial,Helvetica,sans-serif; font-size: x-small;"><strong>Maqam</strong></span></a> and rhythms quite intriguing.</p>
<div>Additionally, we have the Byzantine and the Armenian (Hamparsoom        Nota) naming and notation systems.  These were originally the way Middle        Eastern music was notated before the Western style notation was        developed. (<a href="http://www.oudcafe.com/about_notation.htm" target="_blank">Oud Cafe</a>)</div>
<div><img src="///Users/SWright/Desktop/Note%20Names%20Examples%20-%20Anglicized%20Spellings.jpg" alt="" /></div>
<p><span style="font-size: x-small;"> </span> <span style="font-size: x-small;"> In this system, generally as far as naming goes:  NI=D; PA=E; VOU=F;        GHA=G; DHI=A; KE=B; ZO=C; NI=D</span></p>
<p><a href="http://wrightstuffmusic.edublogs.org/files/2008/12/note-names-examples-anglicized-spellings.jpg"><img class="alignnone size-full wp-image-73" src="http://wrightstuffmusic.edublogs.org/files/2008/12/note-names-examples-anglicized-spellings.jpg" alt="" width="500" height="454" /></a></p>
<p>If you are interested check out these links:</p>
<p>http://www.oudcafe.com/index.htm<br />
http://www.oud.eclipse.co.uk/links.html<br />
http://www.oud.eclipse.co.uk/<br />
http://oudpage.tripod.com/maqamat.htm<br />
http://www.mikeouds.com/index.html<br />
http://www.oudmaker.com/links.asp<br />
http://www.maqamworld.com/</p>
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